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Gerard David

b.c. 1460, Oudewater, Neth. d.Aug. 13, 1523, Bruges Flemish Gerard David Locations Netherlandish painter. He is known as the last of the Flemish Primitives. Although born in the northern Netherlands, he moved to Bruges as a young man, and most of his work expresses the impassive, unmannered, microscopically realistic approach peculiar to south Netherlandish art in the time of Jan van Eyck. David was skilled at synthesizing the art of several important south Netherlandish predecessors, adapting, for instance, the compositions of van Eyck and the technique of Hugo van der Goes. He was also influenced by Hans Memling, whose example led him to refine and polish his cruder northern Netherlandish style and to adopt the popular theme of the Virgin and Child enthroned.
Gerard David God the Father Blessing (mk05) painting


God the Father Blessing (mk05)
God the Father Blessing (mk05)
Painting ID::  20052
   Wood 18 x 34 1/2''(46 x 88 cm)Semi-circular apex of an altarpiece painted in 1506 for the Abbey Church of La Cervara in Liguria acquired in 1919
  Wood 18 x 34 1/2''(46 x 88 cm)Semi-circular apex of an altarpiece painted in 1506 for the Abbey Church of La Cervara in Liguria acquired in 1919

 
 
   
      
Gerard David
b.c. 1460, Oudewater, Neth. d.Aug. 13, 1523, Bruges Flemish Gerard David Locations Netherlandish painter. He is known as the last of the Flemish Primitives. Although born in the northern Netherlands, he moved to Bruges as a young man, and most of his work expresses the impassive, unmannered, microscopically realistic approach peculiar to south Netherlandish art in the time of Jan van Eyck. David was skilled at synthesizing the art of several important south Netherlandish predecessors, adapting, for instance, the compositions of van Eyck and the technique of Hugo van der Goes. He was also influenced by Hans Memling, whose example led him to refine and polish his cruder northern Netherlandish style and to adopt the popular theme of the Virgin and Child enthroned.
God the Father Blessing (mk05)
Wood 18 x 34 1/2''(46 x 88 cm)Semi-circular apex of an altarpiece painted in 1506 for the Abbey Church of La Cervara in Liguria acquired in 1919
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